Lucknow, Varanasi, Kolkata
The Ganga river, unlike a Thames or a Rhine, is the essence of India’s holiness, or so I am told. I didn’t believe it at first. So I began a journey to see this mother of all Indian rivers for myself, a journey to visit her past, her power, and her poisons.
The first stop was in India’s most populous state, Uttar Pradesh. We landed in Lucknow late and the cold winter fog had started early, as dense patches of mist obscured our long drive down Lucknow’s sweeping roads and imposing pink stone squares. Shrimati Mayawati, the Chief Minister of UP, known officially as the “Iron Lady” was present everywhere I looked, in life-size marble statues and larger-than-life movie poster banners showcasing her round triumphant face staring beadily at her subjects below. Standing proudly with unblinking, granite eyes looking upon her people from a high dais of marble surrounded by Kremlinesque walls; I felt a momentary sense of disorientation as the squares were reminiscent more of St. Petersburg’s finest rather than anything I had ever seen in India. In UP, our final destination was India’s oldest and holiest city: Varanasi.
In Varanasi, I found myself floating down the Ganga watching a boat man next to me. His dark brown arms were thin yet muscular and as he bent low over the boat’s edge, the thin sinews in his forearms pulsed forwards and backwards in rhythm with the rocking boat making time with the motion of his arms. He scooped the water of the Ganga into his cupped palms. He raised his hands to his closed eyelids and then poured the liquid over his head in a solemn act of prayer, allowing the muddy brown water to run in little rivulets down his bare face, chest and arms. His skin glistened in patches in the morning sun, distinguishing parts of his chest touched by the Ganga from the parts left dusty and grimy. The serenity of the moment passed as quickly as the water evaporated from his skin. Suddenly without blinking an eye, he blew his nose loudly with his index finger and thumb pressed firmly forcing a powerful discharge of liquid from his nose. And with a rapid thrust of his hand, the by-products of his nose, landed directly into the river. The sun was strong in the distance illuminating the snot that bubbled on the surface for a moment before disappearing into the depths of the river. To the left of the boat man, at the steps of a crumbling crematorium, stood a horde of men laying flowers one by one over a dead body floating at the banks of the river on a bamboo raft meant to hold the body aloft and erect as the final rites were said over her wasted, decaying figure. The feet of the body were visible, toes bloated graying and bluish underneath a thin cotton cloth already wet with the lapping of the river’s waters on the bobbing raft. The feet had the distinct feminine features of a woman yet the broad shouldered body resembled that of a man. It was clear that deep into death the human body’s distinguishing characteristics quickly begin to dissipate.
As I watched the men rapidly placing flowers, I could not distinguish who was family and who was merely performing a task for his daily wage. All wore somber faces and shabby dhotis and kurtas. All were men. I learned later that women were not allowed to enter the crematoriums of Varanasi. Only Punjabi women could come as far as the entrance but had to remain outside as only their men could perform the last parting rites for their dead. To cremate your dead in Varanasi, to the whims of Mother Ganga, is considered a sacred rite in Hinduism. That morning, we had all gathered along the river together: the boat man and his morning rituals, the corpse waiting to be released from the land of the living, and I struggling to understand the connections between the sacred and the profane. I left UP later that day for West Bengal, the state from which the Ganga flowed out of India into Bangladesh.
Three days later, I sat on the tired steps of the Bharo Mandir ghat in Kolkata, on the banks of the river Hooghly, one of the many tributaries of the Ganga. The river ran muddy brown and green before me. The swirling, sandy waters flowed swiftly through several pairs of dark brown legs, barely noticing the eager bathers performing the motions of their morning routine. Bright blue bars of soap were rubbed vigorously making white concentric circles on the skeletal frames of the bathers. Wet empty bags of rice floated by the bathers, unnoticed and unclaimed, as if they were part of the river’s flora. The day sweltered, the humidity causing beads of sweat to form at the edge of my nose and drip relentlessly onto my unsuspecting T-shirt. The air was thick and moist, shimmering in points where the sun touched the water.
The steps leading to the river were blue or had been several years ago, now the dusty paint peeled in chunks exposing the not-so flattering concrete underneath. Behind me were several intricate large terra-cotta structures with decorated plinths, and arched doorways that housed the Hindu Gods of this mandir. The morning pooja had not yet begun and the priests with their crisply starched white dhotis, smelling of sandalwood were busy muttering mantras while preparing for the daily prayers. Several pairs of feet crisscrossed the stairs, moving swiftly up and down around me. Some were eager to get into the water and cleanse, others breathing the heavy air through their wet nostrils had just emerged from their bath. The mood was congenial with laughter, daily news reports, local gossip and knowing glances at neighbors that had been bathing alongside each other for generations. The river was their place to gather, a place for sharing little moments of togetherness, alongside the mundane rituals of daily bathing. When the commotion began, many conversations of so-and-so’s husband or that one’s daughter’s wedding hardly skipped an intonating hand gesture and even the constant scrubbing of the bathers indulging in the waters supposed cleansing qualities barely slowed. The old man’s frail body did injustice to the power of his vocal cords as his voice rose above the din of surrounding Kolkata’s irate honks and aggressive shouts. He, built like a boxer, was short and stocky, his skin the darkest of browns, his muscles were sinewy and his buttocks concealed with a drab gingham red and white cloth loosely wrapped around his waist. I had turned my head in surprise at the sounds that came from his diaphragm.
Fists clenched, teeth bared, he shouted “ Ma Ganga, Ma Ganga” at the top of his lungs. The object of his anger was a tall, gangly, fisherwoman who stood facing him. Her thin arms, covered in multi-colored bracelets, were folded at her waist as she stared him down with a smirk. As his shouting increased in tempo, her smile grew in width. I watched them both from above as if from the box seats at the Opera. His fury had been aroused when his intentions were questioned. She chided him for the way he had stooped to collect the swirling muddy water of the Hooghly into large two liter Pepsi and Sprite bottles. His intentions, it seemed, was to sell the liquid captured in the bottles to tourists as holy relics. The water served as the equivalent of the cheap, plastic, miniature likenesses of divine deities that are often sold on the path to famous temples all over India. Only this was Ganga Jal, the holiest of tourist trinkets. The man began pacing back and forth on the edge of the ghat in short but assertive strides. As he waved his arms in giant sweeping arcs around his body, he continued shouting allegiance to the river long after the fisherwoman had turned away from him. As I turned my back on the river to walk back to our waiting car I heard him break out into song. His voice, deep and raspy, resonated through the cool chambers of the mandir. The song was a Bengali lament for Ganga who, according to the song, was dying from the sins of humanity.
After three weeks of traveling, upstream to downstream, North to South, from azure blue to muddy brown, I was no closer to a conclusion about this river. Everything remained unclear except one thing. That from Gangotri to Ganga Sagar the contradictions of India are reflected on the river. The Ganga, a river used as a latrine and cemetery upstream, serves as a bathtub and temple downstream. The freedom to defecate at this sacred site is a measure of a man’s poverty and the freedom to drink from this water a measure of his faith. And so, the Ganga becomes both: a symbol of India’s spirituality and her poverty in equal measure.
